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DTSTART;TZID=UTC:20260524T113000
DTEND;TZID=UTC:20260524T123000
DTSTAMP:20260930T053206
CREATED:20260425T073317Z
LAST-MODIFIED:20260425T073317Z
UID:6485-1779622200-1779625800@museumofgoa.com
SUMMARY:On Hindu Migrants of Rajasthan
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/on-hindu-migrants-of-rajasthan/
CATEGORIES:MOG Sundays
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/04/24th-may.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260517T140000
DTEND;TZID=UTC:20260517T180000
DTSTAMP:20260930T053206
CREATED:20260512T132510Z
LAST-MODIFIED:20260512T132510Z
UID:6563-1779026400-1779040800@museumofgoa.com
SUMMARY:Linocut Relief Printing Workshop - With Artist Mrinalini Sen
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/linocut-relief-printing-workshop-with-artist-mrinalini-sen/
LOCATION:Children’s Art Studio
CATEGORIES:Workshops
ATTACH;FMTTYPE=image/jpeg:https://museumofgoa.com/wp-content/uploads/2026/05/Mrinalini-Sen-Workshop-Poster-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260517T113000
DTEND;TZID=UTC:20260517T123000
DTSTAMP:20260930T053206
CREATED:20260425T073014Z
LAST-MODIFIED:20260425T073014Z
UID:6482-1779017400-1779021000@museumofgoa.com
SUMMARY:Handmade in a Digital Age: Mrinalini Sen's Living Practice
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/handmade-in-a-digital-age-mrinalini-sens-living-practice/
CATEGORIES:MOG Sundays
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/04/17th-May.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260516T183000
DTEND;TZID=UTC:20260516T203000
DTSTAMP:20260930T053206
CREATED:20260512T100039Z
LAST-MODIFIED:20260512T100039Z
UID:6566-1778956200-1778963400@museumofgoa.com
SUMMARY:A Poetry Night: Exploring Mangoes and Meanings
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/a-poetry-night-exploring-mangoes-and-meanings/
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://museumofgoa.com/wp-content/uploads/2026/05/Poetry-Night-Web-Ban.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260510T113000
DTEND;TZID=UTC:20260510T123000
DTSTAMP:20260930T053206
CREATED:20260425T072602Z
LAST-MODIFIED:20260425T072602Z
UID:6479-1778412600-1778416200@museumofgoa.com
SUMMARY:Fish Curry Rice: The Goan Recipe for Life
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/fish-curry-rice-the-goan-recipe-for-life/
CATEGORIES:MOG Sundays
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/04/10th-May.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260508
DTEND;VALUE=DATE:20260511
DTSTAMP:20260930T053206
CREATED:20260414T100727Z
LAST-MODIFIED:20260414T101056Z
UID:6406-1778198400-1778457599@museumofgoa.com
SUMMARY:Mango Market
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/mango-market/
CATEGORIES:Events
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/04/Mango-Market-website-Medium-3.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260508
DTEND;VALUE=DATE:20260716
DTSTAMP:20260930T053206
CREATED:20260721T104440Z
LAST-MODIFIED:20260804T053321Z
UID:6954-1778198400-1784159999@museumofgoa.com
SUMMARY:Mangoes & Meanings: Histories\, Ecologies and Cultural Imagination
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/mangoes-meanings-histories-ecologies-and-cultural-imagination/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://museumofgoa.com/wp-content/uploads/2026/07/Copy-of-DSC08929-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260505T100000
DTEND;TZID=UTC:20260524T123000
DTSTAMP:20260930T053206
CREATED:20260423T101857Z
LAST-MODIFIED:20260506T060445Z
UID:6468-1777975200-1779625800@museumofgoa.com
SUMMARY:Dreaming Together | An Art Summer Camp
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/dreaming-together-an-art-summer-camp/
LOCATION:Children’s Art Studio
CATEGORIES:Summer Camp
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/04/Summer-Camp-2026-Website-4.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260503T113000
DTEND;TZID=UTC:20260531T123000
DTSTAMP:20260930T053206
CREATED:20260425T072110Z
LAST-MODIFIED:20260430T115932Z
UID:6473-1777807800-1780230600@museumofgoa.com
SUMMARY:MOG Sunday: May 2026 Calendar
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/mog-sunday-may-2026-calendar/
CATEGORIES:MOG Sundays
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/04/May-Calendar-2026-1-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260503T113000
DTEND;TZID=UTC:20260503T123000
DTSTAMP:20260930T053206
CREATED:20260425T072349Z
LAST-MODIFIED:20260426T111015Z
UID:6476-1777807800-1777811400@museumofgoa.com
SUMMARY:Holding Three Things Together: Coffee\, Forests\, and Livelihoods
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/holding-three-things-together-coffee-forests-and-livelihoods/
CATEGORIES:MOG Sundays
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/04/3rd-May.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260501T080000
DTEND;TZID=UTC:20260501T170000
DTSTAMP:20260930T053206
CREATED:20260501T124506Z
LAST-MODIFIED:20260805T110121Z
UID:6501-1777622400-1777654800@museumofgoa.com
SUMMARY:Preview Night of Mangoes and Meanings: Histories\, Ecologies and Cultural Imagination
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/preview-night-of-mangoes-meanings-histories-ecologies-and-cultural-imagination/
CATEGORIES:Events
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/05/MOG-Website-Banner-4.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260426T113000
DTEND;TZID=UTC:20260426T123000
DTSTAMP:20260930T053206
CREATED:20260325T081913Z
LAST-MODIFIED:20260325T091215Z
UID:6319-1777203000-1777206600@museumofgoa.com
SUMMARY:Book Discussion: Chasing Challenges by Andrea Thumshirn
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/book-discussion-chasing-challenges-by-andrea-thumshirn/
CATEGORIES:MOG Sundays
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/03/26-apr.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260426T070000
DTEND;TZID=UTC:20260426T081500
DTSTAMP:20260930T053206
CREATED:20260319T072418Z
LAST-MODIFIED:20260417T114638Z
UID:6242-1777186800-1777191300@museumofgoa.com
SUMMARY:The Little Bird Walk
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/the-little-bird-walk/
LOCATION:Socorro Plateau
CATEGORIES:Workshops
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/03/APRIL-WORKSHOP_2026-CAS-Website-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260419T113000
DTEND;TZID=UTC:20260419T123000
DTSTAMP:20260930T053206
CREATED:20260325T091204Z
LAST-MODIFIED:20260325T091204Z
UID:6316-1776598200-1776601800@museumofgoa.com
SUMMARY:Earthbound: Climate Stories from South Asia
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/earthbound-climate-stories-from-south-asia/
CATEGORIES:MOG Sundays
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/03/19-apr.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260412T160000
DTEND;TZID=UTC:20260412T180000
DTSTAMP:20260930T053206
CREATED:20260404T101219Z
LAST-MODIFIED:20260404T101424Z
UID:6329-1776009600-1776016800@museumofgoa.com
SUMMARY:Glimpses of Goa's Histories - A lecture by Subodh Kerkar
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/glimpses-of-goas-histories-a-lecture-by-subodh-kerkar/
LOCATION:Gomant Vidya Niketan\, Margao
CATEGORIES:Events
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/04/12th-April-website-Banner-subodh-sir-talk.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260412T160000
DTEND;TZID=UTC:20260412T180000
DTSTAMP:20260930T053206
CREATED:20260319T065249Z
LAST-MODIFIED:20260319T073756Z
UID:6234-1776009600-1776016800@museumofgoa.com
SUMMARY:Bread Butter Jam
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/bread-butter-jam/
LOCATION:Children’s Art Studio
CATEGORIES:Workshops
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/03/3-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260412T113000
DTEND;TZID=UTC:20260412T123000
DTSTAMP:20260930T053206
CREATED:20260325T091123Z
LAST-MODIFIED:20260328T060859Z
UID:6313-1775993400-1775997000@museumofgoa.com
SUMMARY:On The Beauty of Canacona
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/on-the-beauty-of-canacona/
CATEGORIES:MOG Sundays
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/03/12-apr-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260411T160000
DTEND;TZID=UTC:20260411T180000
DTSTAMP:20260930T053206
CREATED:20260319T063929Z
LAST-MODIFIED:20260319T073351Z
UID:6230-1775923200-1775930400@museumofgoa.com
SUMMARY:Play with Patterns
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/play-with-patterns/
LOCATION:Children’s Art Studio
CATEGORIES:Workshops
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/03/2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260405T160000
DTEND;TZID=UTC:20260405T180000
DTSTAMP:20260930T053206
CREATED:20260319T062310Z
LAST-MODIFIED:20260319T062853Z
UID:6205-1775404800-1775412000@museumofgoa.com
SUMMARY:Moon Moths From Scraps
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/moon-moths-from-scraps/
LOCATION:Children’s Art Studio
CATEGORIES:Workshops
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/03/1-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260405T113000
DTEND;TZID=UTC:20260426T123000
DTSTAMP:20260930T053206
CREATED:20260325T062830Z
LAST-MODIFIED:20260325T092817Z
UID:6306-1775388600-1777206600@museumofgoa.com
SUMMARY:MOG Sunday: April 2026 Calendar
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/mog-sunday-april-2026-calendar/
CATEGORIES:MOG Sundays
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/03/April-Calendar-WEB.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260405T113000
DTEND;TZID=UTC:20260405T123000
DTSTAMP:20260930T053206
CREATED:20260325T091143Z
LAST-MODIFIED:20260325T091143Z
UID:6310-1775388600-1775392200@museumofgoa.com
SUMMARY:The Mahabharata’s Feminine Force: How Its Women Drive the Story
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/the-mahabharatas-feminine-force-how-its-women-drive-the-story/
CATEGORIES:MOG Sundays
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/03/5th-apr.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260329T113000
DTEND;TZID=UTC:20260329T123000
DTSTAMP:20260930T053206
CREATED:20260324T115736Z
LAST-MODIFIED:20260324T115736Z
UID:6292-1774783800-1774787400@museumofgoa.com
SUMMARY:Love Tales
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/love-tales/
CATEGORIES:MOG Sundays
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/03/29th-mog-sunday-banner.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260322T113000
DTEND;TZID=UTC:20260322T123000
DTSTAMP:20260930T053206
CREATED:20260317T103454Z
LAST-MODIFIED:20260317T103454Z
UID:6181-1774179000-1774182600@museumofgoa.com
SUMMARY:Exclusive Living and the Transformation of Goa's Villages
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/exclusive-living-and-the-transformation-of-goas-villages/
CATEGORIES:MOG Sundays
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/03/22-march-mog-sunday-website.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260321T183000
DTEND;TZID=UTC:20260321T203000
DTSTAMP:20260930T053206
CREATED:20260317T054943Z
LAST-MODIFIED:20260317T054943Z
UID:6167-1774117800-1774125000@museumofgoa.com
SUMMARY:A Poetry Night: Remembering Sahir Ludhianvi
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/a-poetry-night-remembering-sahir-ludhianvi/
CATEGORIES:Events
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/03/21st-mar-poerty-night-poster.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260315T113000
DTEND;TZID=UTC:20260315T123000
DTSTAMP:20260930T053206
CREATED:20260310T094517Z
LAST-MODIFIED:20260310T094517Z
UID:6164-1773574200-1773577800@museumofgoa.com
SUMMARY:All of Us: A Talk by Nityan Unnikrishnan
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/all-of-us-a-talk-by-nityan-unnikrishnan/
CATEGORIES:MOG Sundays
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/03/15th-march-mog-sunday.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260312T100000
DTEND;TZID=UTC:20260329T180000
DTSTAMP:20260930T053206
CREATED:20260308T083938Z
LAST-MODIFIED:20260807T100523Z
UID:6159-1773309600-1774807200@museumofgoa.com
SUMMARY:Love Tales by Savia Viegas
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/love-tales-by-savia-viegas/
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/03/love-tales-website-banner.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260308T180000
DTEND;TZID=UTC:20260308T190000
DTSTAMP:20260930T053206
CREATED:20260306T103039Z
LAST-MODIFIED:20260306T103039Z
UID:6155-1772992800-1772996400@museumofgoa.com
SUMMARY:Performance: Black Hat Dance
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/performance-black-hat-dance/
CATEGORIES:Events
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/03/3-Large.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260308T170000
DTEND;TZID=UTC:20260308T180000
DTSTAMP:20260930T053206
CREATED:20260306T101129Z
LAST-MODIFIED:20260306T101129Z
UID:6152-1772989200-1772992800@museumofgoa.com
SUMMARY:Spiti Through Legend and Lore
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/spiti-through-legend-and-lore/
CATEGORIES:Events
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/03/2-Medium.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260308T113000
DTEND;TZID=UTC:20260308T123000
DTSTAMP:20260930T053206
CREATED:20260303T122139Z
LAST-MODIFIED:20260303T122139Z
UID:6145-1772969400-1772973000@museumofgoa.com
SUMMARY:Secrets of Particles and the Environment
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/secrets-of-particles-and-the-environment/
CATEGORIES:MOG Sundays
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/03/8th-march-mog-sunday-website.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260307T170000
DTEND;TZID=UTC:20260307T183000
DTSTAMP:20260930T053206
CREATED:20260305T120945Z
LAST-MODIFIED:20260305T120945Z
UID:6149-1772902800-1772908200@museumofgoa.com
SUMMARY:Film Screening: Wisdom of Happiness
DESCRIPTION:Raza – MOG – Souza Dialogues: Conversations in Contemporary Indian ArtThe Raza–MOG–Souza Dialogues was conceived as a dynamic two-day symposium that brought together some of the most influential voices shaping contemporary Indian art today. The event took place on February 23–24\, 2019 and was hosted by the MOG Foundation in partnership with the Raza Foundation\, the initiative created a rare and meaningful space where practitioners\, thinkers\, and audiences could come together\, not just to listen\, but to engage\, question\, and reflect. At its core\, the symposium embraced conversation as a creative act. It encouraged an environment where disciplines overlapped\, hierarchies dissolved\, and diverse perspectives could coexist\, making room for new ideas to emerge organically. The Raza Foundation\, established by the eminent modernist S.H. Raza\, has long been committed to supporting artistic practice through fellowships\, research\, and intellectual exchange. Its philosophy rests on the belief that artistic success gains significance when shared with a wider community. The MOG Foundation extends this ethos through its focus on inclusivity\, public engagement\, and social transformation through art. Together\, the two institutions envisioned the Dialogues as a platform that not only reflects contemporary practices but actively shapes them. Concept & Curatorial Approach Curated as a series of interlinked conversations\, the symposium unfolded through carefully structured sessions that allowed for both depth and openness. Each dialogue was designed to bring together practitioners from different fields\, encouraging cross-pollination of ideas and fostering unexpected connections. Audiences were not passive spectators but active participants\, invited to engage with questions that extended beyond the sessions themselves. Purpose & Vision The Dialogues were guided by a clear and layered vision: To democratize access to contemporary art discourse by bringing conversations into public spaceTo create a platform for critical thinking and meaningful engagement across disciplinesTo bridge generational gaps by connecting established practitioners with emerging artists and studentsTo examine the social\, cultural\, and political contexts within which art is produced and experiencedTo foreground the role of institutions in shaping\, supporting\, and sustaining artistic ecosystemsDialogues Across Disciplines Across two days\, the symposium unfolded as a series of compelling exchanges that traversed visual art\, design\, literature\, and institutional practice. Fashion designer Wendell Rodricks and graphic novelist and artist Orijit Sen explored how visual languages evolve across mediums\, discussing the intersections of design\, storytelling\, and cultural memory. Their conversation reflected on how aesthetics are shaped not only by trends but by histories\, identities\, and lived experiences. Cultural practitioners Arundhati Ghosh\, Suresh Jayaram\, and Subodh Kerkar turned the focus toward institutions\, questioning their responsibilities\, limitations\, and potential. Their dialogue examined how spaces for art are built\, sustained\, and made accessible\, while also addressing the challenges of funding\, autonomy\, and public engagement. In a deeply rooted exploration of language and identity\, poet Hemant Divate and writer Damodar Mauzo reflected on the power of regional literature. Their conversation emphasized the importance of linguistic diversity in shaping cultural narratives and resisting homogenization in an increasingly globalized world. The final set of dialogues brought together poet and novelist Jeet Thayil and curator-poet Sabitha Satchi\, who explored the fluid boundaries between literature\, music\, and performance. Their exchange highlighted how artistic forms continuously intersect\, how poetry can become performance\, how music can inform narrative\, and how these overlaps create new modes of expression.  Audience & EngagementA defining strength of the Raza–MOG–Souza Dialogues was its ability to draw a diverse and engaged audience. Artists\, students\, writers\, designers\, and members of the public came together in a shared space of curiosity and learning. For young practitioners and students\, the symposium offered a rare opportunity to encounter contemporary artistic thought outside formal academic frameworks. For established professionals\, it created space for reflection\, exchange\, and renewed dialogue. This intersection of audiences contributed to the energy and openness that defined the event. Shaping Contemporary Discourse The impact of the Dialogues extended well beyond the two-day format. By shifting conversations from closed circles into accessible public forums\, the symposium challenged the exclusivity often associated with contemporary art discourse. The emphasis on dialogue encouraged participants to think beyond their own practices\, opening up new ways of understanding and creating. Importantly\, the event reinforced Goa’s growing cultural presence within India’s contemporary art landscape. Taking place during the peak art season\, alongside major events such as the Kochi-Muziris Biennale and the India Art Fair\, the Dialogues positioned the region as an active site of critical engagement and artistic exchange. Continuing the Conversation The Raza–MOG–Souza Dialogues remain an evolving idea rather than a singular event. They stand as a reminder that art is not created in isolation\, it is shaped through conversation\, collaboration\, and constant questioning. By bringing together diverse voices and perspectives\, the initiative continues to inspire new dialogues\, new connections\, and new ways of thinking about contemporary art and its role in society.
URL:https://museumofgoa.com/program/film-screening-wisdom-of-happiness/
CATEGORIES:Events
ATTACH;FMTTYPE=image/png:https://museumofgoa.com/wp-content/uploads/2026/03/1.png
END:VEVENT
END:VCALENDAR